CHANSONS POUR L'OREILLE GAUCHE, by Marc Sarrazy & Laurent Rochelle

CHANSONS POUR L'OREILLE GAUCHE

by Marc Sarrazy & Laurent Rochelle

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1.	PAYSAGE AVANT PENDAISON 06:14	info	buy track
2.	REFLETS DANS UN OEIL MORT 02:02	info	buy track
3.	VOULEVOULESVOUVOUZELAS ? 05:35	info	buy track
4.	SI TU REGARDES 03:34	info	buy track
5.	INFRA MUSIQUE # 1 : L'HOMME ASSIS DANS LE COULOIR 02:37		buy track
6.	FUNERAL BLUES 06:10	info	buy track
7.	BARTOK A LA FENETRE 01:26		buy track
8.	MALCOM MALCOVICH 03:35	info	buy track
9.	A LA FRONTIERE DU JOUR 05:24	info	buy track
10.	SUSPIRIA 04:18	info	buy track
11.	INFRA MUSIQUE # 2 : L'HEURE OU TOUT SE FANE 02:54	info	buy track
12.	QUI S'EN VA UN PEU 03:54	info	buy track

about

Marc Sarrazy : piano
Laurent Rochelle : soprano sax, bass clarinet, kaplas

Compositions by Marc SARRAZY (1,3,6,8,12) and Laurent ROCHELLE (4,9)

Titles 5 and 11 are improvisations for piano and kaplas.

Title "Suspiria" is composed by Goblin for the movie Suspiria of Dario Argento in 1977.

Title " Bartok à la fenetre" by Bela Bartok (Mikrokosmos book) arrangement by Rochelle & Sarrazy.

Guests :
Anja Kowalski (vocals & lyrics) on title "Qui s'en va un peu"
Alexei Aigui (violin) on title "Qui s'en va un peu"
Cyril Bondi (drums) on title "Reflets dans un œil mort"

Recorded in june 2017 by Boris Béziat in Elixir studio (Toulouse,France), violin recorded by Andrey Goncharov in Haronich studio, Moscow.
Mixed by Laurent Rochelle in studio des Arpenteurs (Cazeneuve Montaut, France), july 2017.
Mastered by Pierre Jacquot in Logodio studio (Versailles, France)

Marc Sarrazy plays on Yamaha piano prepared by Daniel Parisot
Laurent Rochelle plays on Selmer bass clarinet

Ⓟ & © Linoleum records 2017 / Lin 017
www.linoleum-records.com

Draw & Layout by Brenda Machin
www.brendamachin.com

credits

released October 19, 2017

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about

Marc Sarrazy & Laurent Rochelle Toulouse, France

Born in 1970 in Paris, Marc Sarrazy studied piano and composition since 1976. After some folk-rock experiences in the middle 80’s, he chose jazz since 1989. His style is a combination between a neo-impressionism touch ala Satie / Debussy and free experimentations inherited from European contemporary jazz. ... more

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